No video or photography allowed in the theater.Confirmation will be received at time of booking.Those who purchase the VIP seating will also enjoy admission to the Erotic Heritage Museum which houses more than 24,000 square feet of permanent and featured exhibits championing the wonders of erotic imagination, as depicted through artistic expressions of sex and love.ĭeparture Point :Erotic Heritage Museum, Las Vegas, 3275 Industrial Rd, Las Vegas, NV 89109-1115ĭeparture Time :8:00 PM Return Detail :- Hotel Pickup : You'll learn the Art of Genital Origami seeing such shapes as the wrist watch, a sea anemone and the famed hamburger! Since then, most of the Western World has played host to this show with it having played to millions of people in over 35 countries, and in five languages. Puppetry of the Penis was born when Simon Morley teamed up with fellow puppeteer David Friend at Melbourne International Comedy Festival and received as the "Outright Best Show". Compared to what's readily available on our screens every night of the week, this is a show suitable for all the family: no sex, no violence - just daft, original fun.Visit: Erotic Heritage Museum, Las Vegas, 3275 Industrial Rd, Las Vegas, NV 89109-1115 What intrigues and entertains is the way they've turned a boys' bedroom prank into a theatrical extravaganza, celebrating with tongue-in-cheek innocence the flexibility of the phallus. This is a million miles from the strip-joint slick of the Chippendales more a vaudeville act or an interlude of slapstick panto, with the pair alternately praising, ribbing and cajoling each other with laddish good humour. The UK tour has included venues as diverse as the Grand Opera House, Belfast and the Arts Centre in the small New Forest town of New Milton, where the audience's blue rinses will have been infinitely bluer than anything on the stage. This show has been a sellout sensation across several continents because of the guys' clever manipulation of their material. The animal shapes familiar from Japanese origami are here, but the Australian art these lads have pioneered extends the range to include landmarks such as Ayer's Rock and the Eiffel Tower, as well as an astonishing fruit bat, achieved with audience participation, and a fan-assisted moving windsurfer as a grand finale. With playful relish, the boys start folding their phalluses, turning their willies into windsurfers, their dicks into hot-dogs, their logs into frogs, their beef bayonets into burgers and their one-eyed trouser snakes into slowly emerging dormice. But when at last the lights dimmed and the caped crusaders jogged onto the stage, it was enthusiasm rather than hysteria that greeted them.īefore they 'introduce us to the stars of the show', the guys establish a cheeky rapport between themselves, and also with the audience, assuring those at the back that the huge screen behind them on the stage will show their 'installations' to magnificent effect.Īnd they're not wrong. This was evidently a very different audience from those the guys have played to in Edinburgh, consisting as it did of women of all ages and a few bemused chaps along for the ride.
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Her laid-back delivery to a capacity audience of eager females clearly determined to have a good time was particularly brave, and she sent us off to our interval drinks in good humour even though we'd all been expecting the origami to be in full swing by now. Now Puppetry of the Penis, with typical down-under topsy-turvy, has managed to turn full-frontal male nudity and genital manipulation into a theatrical event that is alarming but charming, wild but witty, manic and ironic - but never salacious.Īs the puppeteers' performance only lasts for just over an hour, the evening begins with 25 minutes of stand-up from Hattie Hayridge, to 'stretch it out a bit, make it longer for you'.
With Tap Dogs they took tap dancing out of the ballroom and onto the building site, making it more testosterone-charged than even the great Gene Kelly.
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